Recording - BWV995 ~ BWV1126 : µè°í ½ÍÀ¸½Å °îµéÀ» üũÇϽŠÈÄ 'Send' ¹öưÀ» ´·¯ÁÖ¼¼¿ä. |
| - BWV995 Suite in g minor / ¸ðÀ½°î g´ÜÁ¶ |
| Type A |
| 1.Prelude(Presto) (06 : 25) |
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2.Allemande (05 : 04) |
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3.Courante (02 : 35) |
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4.Sarabande (03 : 55) |
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5.Gavotte I,II (04 : 24) |
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6.Gigue (02 : 25) |
| - BWV996 Suite in e minor / ¸ðÀ½°î e´ÜÁ¶ |
| Type A |
| 1.Prelude(Passaggio/Presto) (02 : 21) |
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2.Allemande (03 : 20) |
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3.Courante (02 : 22) |
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4.Sarabande (03 : 43) |
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5.Bourree I,II (01 : 07) |
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6.Gigue (02 : 58) |
| - BWV997 Suite in c minor / ÆÄ¸£Æ¼Å¸ c´ÜÁ¶ |
| Type A |
| 1.Prelude (03 : 25) |
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2.Fugue (07 : 26) |
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3.Sarabande (05 : 20) |
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4.Gigue (03 : 06) |
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5.Double (03 : 14) |
| Type B |
| 1.Prelude (02 : 55) |
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2.Fugue (06 : 36) |
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3.Sarabande (04 : 30) |
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4.Gigue (02 : 40) |
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5.Double (02 : 53) |
| - BWV998 Prelude,Fugue and Allegro in Eb Major / ÀüÁÖ°î°ú Ǫ°¡¿Í ¾Ë·¹±×·Î EbÀåÁ¶ |
| Type A |
| 1.Prelude (03 : 54) |
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2.Fugue (06 : 09) |
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3.Allegro (03 : 31) |
| Type B |
| 1.Prelude (02 : 32) |
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2.Fugue (06 : 51) |
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3.Allegro (03 : 19) |
| - BWV999 Prelude in c minor / ÀüÁÖ°î c´ÜÁ¶ |
| Type A |
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Full Version (01 : 52) |
| Type B |
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Full Version (01 : 43) |
| - BWV1000 Fugue in g minor / Ǫ°¡ g´ÜÁ¶ |
| Type A |
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Full Version (05 : 50) |
| Type B |
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Full Version (05 : 12) |
| - BWV1001 Sonata in g minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.1 g´ÜÁ¶ |
| Type A |
| 1.Adagio (03 : 19) |
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2.Fugue(Allegro) - transcribed for Lute as BWV 1000 and for Organ in BWV 539 (05 : 27) |
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3.Siciliana (03 : 19) |
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4.Presto (03 : 40) |
| Type B |
| 1.Adagio (02 : 32) |
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2.Fugue(Allegro) - transcribed for Lute as BWV 1000 and for Organ in BWV 539 (06 : 51) |
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3.Siciliana (03 : 19) |
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4.Presto (02 : 40) |
| Type C |
| 1.Adagio (03 : 56) |
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2.Fugue(Allegro) - transcribed for Lute as BWV 1000 and for Organ in BWV 539 (05 : 12) |
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3.Siciliana (02 : 45) |
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4.Presto (04 : 04) |
| - BWV1002 Partita in b minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ No.1 b´ÜÁ¶ |
| Type A |
| 1.Allemanda (04 : 44) |
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2.Double (02 : 59) |
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3.Corrente (03 : 39) |
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4.Double.Presto (03 : 58) |
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5.Sarabande (03 : 36) |
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6.Double (03 : 02) |
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7.Tempo di Borea (04 : 00) |
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8.Double (03 : 52) |
| Type B |
| 1.Allemanda (02 : 32) |
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2.Double (06 : 51) |
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3.Corrente (03 : 19) |
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4.Double.Presto (02 : 40) |
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5.Sarabande (02 : 53) |
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6.Double (00 : 00) |
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7.Tempo di Borea (00 : 00) |
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8.Double (00 : 00) |
| - BWV1003 Sonata in a minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.2 a´ÜÁ¶ |
| Type A |
| 1.Grave (03 : 12) |
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2.Fugue (08 : 03) |
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3.Andante (05 : 34) |
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4.Allegro (05 : 00) |
| Type B |
| 1.Grave (02 : 32) |
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2.Fugue (06 : 51) |
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3.Andante (03 : 19) |
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4.Allegro (02 : 40) |
| Type C |
| 1.Grave (03 : 29) |
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2.Fugue (07 : 16) |
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3.Andante (04 : 44) |
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4.Allegro (06 : 13) |
| - BWV1004 Partita in d minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ No.2 d´ÜÁ¶ |
| Type A |
| 1.Allemanda (04 : 18) |
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2.Corrente (02 : 47) |
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3.Sarabanda (03 : 18) |
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4.Gigue (04 : 28) |
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5.Ciaconna (12 : 21) |
| Type B |
| 1.Allemanda (02 : 32) |
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2.Corrente (06 : 51) |
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3.Sarabanda (03 : 19) |
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4.Gigue (02 : 40) |
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5.Ciaconna (02 : 53) |
| Type C |
| 1.Allemanda (04 : 43) |
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2.Corrente (02 : 34) |
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3.Sarabanda (04 : 19) |
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4.Gigue (05 : 00) |
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5.Ciaconna (13 : 48) |
| - BWV1005 Sonata in C Major / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.3 CÀåÁ¶ |
| Type A |
| 1.Adagio - transcribed for keyboard as BWV 968 (03 : 21) |
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2.Fugue (10 : 29) |
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3.Largo (03 : 02) |
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4.Allegro Assai (04 : 10) |
| Type B |
| 1.Adagio - transcribed for keyboard as BWV 968 (02 : 32) |
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2.Fugue (06 : 51) |
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3.Largo (03 : 19) |
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4.Allegro Assai (02 : 40) |
| Type C |
| 1.Adagio - transcribed for keyboard as BWV 968 (03 : 26) |
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2.Fugue (09 : 30) |
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3.Largo (02 : 46) |
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4.Allegro Assai (05 : 23) |
| - BWV1006 Partita in E Major / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ÆÄ¸£Æ¼Å¸ No.3 EÀåÁ¶ |
| Type A |
| 1.Preludio - transcribed as the Sinfonia to BWV 29 and Chorus of BWV 120a (04 : 12) |
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2.Loure (03 : 47) |
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3.Gavotte en Rondeau (03 : 36) |
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4.Menuet I,II (04 : 49) |
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5.Bourree (01 : 43) |
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6.Gigue (01 : 44) |
| Type B |
| 1.Preludio - transcribed as the Sinfonia to BWV 29 and Chorus of BWV 120a (02 : 32) |
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2.Loure (06 : 51) |
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3.Gavotte en Rondeau (03 : 19) |
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4.Menuet I,II (02 : 40) |
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5.Bourree (02 : 53) |
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6.Gigue (00 : 00) |
| - BWV1006a Suite in E Major / ¸ðÀ½°î EÀåÁ¶ |
| Type A |
| 1.Preludio (05 : 01) |
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2.Loure (03 : 34) |
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3.Gavotte en Rondeau (03 : 28) |
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4.Menuet I,II (04 : 12) |
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5.Bourree (02 : 11) |
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6.Gigue (02 : 03) |
| Type B |
| 1.Preludio (04 : 02) |
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2.Loure (03 : 54) |
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3.Gavotte en Rondeau (03 : 04) |
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4.Menuet I,II (04 : 27) |
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5.Bourree (01 : 43) |
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6.Gigue (02 : 07) |
| - BWV1007 Suite in G Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.1 GÀåÁ¶ |
| Type A |
| 1.Prelude (02 : 04) |
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2.Allemande (03 : 20) |
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3.Courante (02 : 34) |
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4.Sarabande (03 : 21) |
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5.Menuet I,II(II g minor) (03 : 20) |
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6.Gigue (01 : 41) |
| - BWV1008 Suite in d minor / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.2 d´ÜÁ¶ |
| Type A |
| 1.Prelude (04 : 08) |
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2.Allemande (02 : 49) |
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3.Courante (02 : 09) |
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4.Sarabande (06 : 06) |
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5.Menuet I,II(II D Major) (03 : 18) |
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6.Gigue (02 : 53) |
| - BWV1009 Suite in C Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.3 CÀåÁ¶ |
| Type A |
| 1.Prelude (03 : 23) |
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2.Allemande (03 : 47) |
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3.Courante (03 : 47) |
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4.Sarabande (05 : 18) |
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5.Bouree(sic) I,II(II C minor) (04 : 39) |
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6.Gigue (02 : 59) |
| - BWV1010 Suite in Eb Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.4 EbÀåÁ¶ |
| Type A |
| 1.Prelude (04 : 25) |
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2.Allemande (03 : 32) |
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3.Courante (03 : 39) |
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4.Sarabande (05 : 09) |
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5.Bouree(sic) I,II (06 : 10) |
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6.Gigue (02 : 39) |
| - BWV1011 Suite in c minor / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.5 c´ÜÁ¶ |
| Type A |
| 1.Prelude (07 : 23) |
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2.Allemande (05 : 11) |
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3.Courante (02 : 26) |
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4.Sarabande (03 : 51) |
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5.Gavotte I,II (05 : 42) |
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6.Gigue (02 : 25) |
| - BWV1012 Suite in D Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.6 DÀåÁ¶ |
| Type A |
| 1.Prelude (05 : 16) |
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2.Allemande (10 : 31) |
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3.Courante (03 : 32) |
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4.Sarabande (04 : 51) |
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5.Gavotte I,II (05 : 10) |
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6.Gigue (04 : 08) |
| - BWV1013 Partita(Sonata) in a minor / ¹«¹ÝÁÖ Çø¡ ¼Ò³ªÅ¸ a´ÜÁ¶ |
| Type A |
| 1.Allemande (04 : 27) |
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2.Corrente (03 : 03) |
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3.Sarabande (04 : 41) |
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4.Bourree Anglaise (01 : 59) |
| - BWV1014 Sonata in b minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.1 b´ÜÁ¶ |
| Type A |
| 1.Adagio (03 : 38) |
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2.Allegro (02 : 58) |
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3.Andante(D Major) (03 : 18) |
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4.Allegro (03 : 18) |
| - BWV1015 Sonata in A Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.2 AÀåÁ¶ |
| Type A |
| 1.- (03 : 14) |
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2.Allegro assai (03 : 23) |
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3.Andante un poco(f# minor) (03 : 29) |
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4.Presto (04 : 39) |
| - BWV1016 Sonata in E Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.3 EÀåÁ¶ |
| Type A |
| 1.Adagio (04 : 16) |
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2.Allegro (02 : 53) |
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3.Adagio ma non tanto(c# minor) (04 : 23) |
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4.Allegro (03 : 57) |
| - BWV1017 Sonata in c minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.4 c´ÜÁ¶ |
| Type A |
| 1.Siciliano. Largo (05 : 03) |
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2.Allegro (04 : 41) |
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3.Adagio ma non tanto(Eb Major) (03 : 47) |
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4.Allegro assai (04 : 53) |
| - BWV1018 Sonata in f minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.5 f´ÜÁ¶ |
| Type A |
| 1.Largo (06 : 29) |
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2.Allegro (03 : 23) |
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3.Adagio(c minor) (03 : 27) |
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4.Vivace (02 : 32) |
| - BWV1019 Sonata in G Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.6 GÀåÁ¶ |
| Type A |
| 1.Allegro (03 : 51) |
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2.Largo(e minor) (01 : 41) |
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3.Allegro(b minor,cembalo solo) (03 : 12) |
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4.Adagio(b minor) (03 : 06) |
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5.Allegro - based on Aria No. 3 of BWV 202 (03 : 41) |
| - BWV1019a Sonata in G Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.7 GÀåÁ¶ |
| Type A |
| 1.Cembalo Solo (05 : 33) |
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2.Adagio (01 : 58) |
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3.Violino solo e Basso l'accompagnato (02 : 15) |
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4.Cantabile,ma un poco adagio (06 : 02) |
| - BWV1020 Sonata in g minor(Spurious) / ¹ÙÀ̿ø°(Çø¡) ¼Ò³ªÅ¸ g´ÜÁ¶ |
| Type A |
| 1.Allegro moderato (04 : 17) |
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2.Adagio(Eb Major) (03 : 16) |
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3.Allegro (05 : 24) |
| - BWV1021 Sonata in G Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ GÀåÁ¶ |
| Type A |
| 1.Adagio (04 : 49) |
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2.Vivace (00 : 55) |
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3.Largo(e minor) (02 : 46) |
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4.Presto - use of BWV 1022,BWV 1038's Presto (01 : 25) |
| - BWV1022 Sonata in F Major(Spurious) / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ FÀåÁ¶ |
| Type A |
| 1. - (03 : 08) |
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2.Allegro e presto (02 : 37) |
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3.Adagio(d minor) (02 : 21) |
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4.Presto - use of BWV 1021,BWV 1038's Presto (01 : 24) |
| - BWV1023 Sonata in e minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ e´ÜÁ¶ |
| Type A |
| 1.Adagio ma non tanto (04 : 26) |
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2.Allemande (04 : 18) |
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3.Gigue (02 : 48) |
| - BWV1024 Sonata in c minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ c´ÜÁ¶ |
| Type A |
| 1.Adagio (03 : 31) |
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2.Presto (03 : 27) |
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3.Affettuoso(Eb Major) (02 : 39) |
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4.Vivace (03 : 59) |
| - BWV1025 Suite in A Major(Spurious) / ¸ðÀ½°î AÀåÁ¶ |
| Type A |
| 1.Fantasia (02 : 26) |
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2.Courante (06 : 08) |
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3.Entree (04 : 34) |
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4.Rondeau (04 : 39) |
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5.Sarabande (05 : 28) |
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6.Menuet (03 : 55) |
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7.Allegro (05 : 27) |
| - BWV1026 Fugue in g minor(Doubtful) / Ǫ°¡ g´ÜÁ¶ |
| Type A |
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Full Version (04 : 51) |
| - BWV1027 Sonata in G Major / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.1 GÀåÁ¶ |
| Type A |
| 1.Adagio (04 : 10) |
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2.Allegro ma non tanto (03 : 47) |
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3.Andante(e minor) (02 : 36) |
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4.Allegro moderato (03 : 18) |
| - BWV1028 Sonata in D Major / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.2 DÀåÁ¶ |
| Type A |
| 1.Adagio (02 : 03) |
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2.Allegro (03 : 44) |
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3.Andante(b minor) (05 : 15) |
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4.Allegro (04 : 16) |
| - BWV1029 Sonata in g minor / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.3 g´ÜÁ¶ |
| Type A |
| 1.Vivace (05 : 09) |
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2.Adagio(Bb Major) (06 : 20) |
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3.Allegro (03 : 53) |
| - BWV1030 Sonata in b minor / Çø¡ ¼Ò³ªÅ¸ No.1 b´ÜÁ¶ |
| Type A |
| 1.Andante (08 : 34) |
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2.Largo e dolce(D Major) (04 : 23) |
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3.Presto - Allegro (05 : 46) |
| - BWV1031 Sonata in Eb Major / Çø¡ ¼Ò³ªÅ¸ No.2 EbÀåÁ¶ |
| Type A |
| 1.Allegro (03 : 29) |
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2.Siciliano(g minor) (01 : 56) |
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3.Allegro (04 : 22) |
| - BWV1032 Sonata in A Major / Çø¡ ¼Ò³ªÅ¸ No.3 AÀåÁ¶ |
| Type A |
| 1.Vivace (05 : 03) |
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2.Largo e dolce(a minor) (03 : 08) |
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3.Allegro (04 : 36) |
| - BWV1033 Sonata in C Major / Çø¡ ¼Ò³ªÅ¸ No.4 CÀåÁ¶ |
| Type A |
| 1.Andante-Presto (01 : 30) |
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2.Allegro (02 : 15) |
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3.Adagio(a minor) (01 : 55) |
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4.Menuetto I,II(a minor) (02 : 28) |
| - BWV1034 Sonata in e minor / Çø¡ ¼Ò³ªÅ¸ No.5 e´ÜÁ¶ |
| Type A |
| 1.Adagio ma non tanto (03 : 04) |
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2.Allegro (02 : 37) |
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3.Andante(G Major) (03 : 20) |
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4.Allegro (04 : 34) |
| Type B |
| 1.Adagio ma non tanto (02 : 58) |
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2.Allegro (03 : 15) |
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3.Andante(G Major) (03 : 56) |
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4.Allegro (03 : 13) |
| - BWV1035 Sonata in E Major / Çø¡ ¼Ò³ªÅ¸ No.6 EÀåÁ¶ |
| Type A |
| 1.Adagio ma non tanto (02 : 47) |
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2.Allegro (03 : 23) |
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3.Siciliano(c# minor) (04 : 34) |
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4.Allegro assai (03 : 22) |
| - BWV1037 Sonata for 2 Violins and Keyboard in c minor / Æ®¸®¿À ¼Ò³ªÅ¸ c´ÜÁ¶ |
| Type A |
| 1.Adagio (03 : 32) |
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2.Alla breve(Allegro moderato) (02 : 47) |
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3.Largo(a minor) (01 : 39) |
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4.Gigue(Allegro molto) (04 : 57) |
| - BWV1038 Sonata for Flute,Violin,and Keyboard in G Major / Æ®¸®¿À ¼Ò³ªÅ¸ GÀåÁ¶ |
| Type A |
| 1.Largo (03 : 08) |
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2.Vivace (01 : 00) |
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3.Adagio(e minor) (01 : 53) |
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4.Presto - use of BWV 1021,BWV 1022's Presto (01 : 46) |
| - BWV1039 Trio Sonata for 2 Flutes and Harpsichord in G Major / Æ®¸®¿À ¼Ò³ªÅ¸ GÀåÁ¶ |
| Type A |
| 1.Adagio (03 : 34) |
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2.Allegro ma non presto (03 : 10) |
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3.Adagio e piano(e minor) (02 : 06) |
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4.Presto (02 : 42) |
| - BWV1041 Violin Concerto in a minor / ¹ÙÀ̿ø° ÇùÁÖ°î a´ÜÁ¶ |
| Type A |
| 1.- (04 : 09) |
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2.Andante(C Major) (07 : 33) |
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3.Allegro assai (04 : 06) |
| - BWV1042 Violin Concerto in E Major / ¹ÙÀ̿ø° ÇùÁÖ°î EÀåÁ¶ |
| Type A |
| 1.Allegro (08 : 28) |
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2.Adagio(c# minor) (07 : 11) |
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3.Allegro assai (02 : 58) |
| - BWV1043 Concerto for 2 violins in d minor / µÎ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î d´ÜÁ¶ |
| Type A |
| 1.Vivace (04 : 13) |
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2.Largo ma non tanto(F Major) (07 : 32) |
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3.Allegro (05 : 25) |
| - BWV1044 Concerto for flute,violin and harpsichord in a minor / ÇÕÁÖ ÇùÁÖ°î a´ÜÁ¶ |
| Type A |
| 1.Allegro - based on the Prelude of the Prelude and Fugue in A minor BWV 894 (08 : 36) |
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2.Adagio ma non tanto e dolce(C Major) - based on the 2nd movement of Trio Sonata No. 3 in D minor for Organ BWV 527 (06 : 00) |
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3.Alla breve - based on the Fugue of the Prelude and Fugue in A minor BWV 894 (06 : 40) |
| - BWV1045 Violin Concerto in D Major(Fragment) / ¹ÙÀ̿ø° ÇùÁÖ°î |
| Type A |
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Full Version (07 : 01) |
| - BWV1046 Brandenburg Concerto No. 1 in F Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.1 FÀåÁ¶ |
| Type A |
| 1.[Allegro] (03 : 58) |
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2.Adagio(d minor) (04 : 10) |
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3.Allegro - used as the basis of the 1st Chorus of the Cantata BWV 207 (04 : 16) |
|
|
4.Menuet-Trio I-Polacca-Trio II - used as the basis of the Ritournelle No. 7 in BWV 207 (08 : 47) |
| - BWV1047 Brandenburg Concerto No. 2 in F Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.2 FÀåÁ¶ |
| Type A |
| 1.[Allegro] (05 : 10) |
|
|
2.Andante(d minor) (04 : 24) |
|
|
3.Allegro assai (02 : 59) |
| Type B |
| 1.[Allegro] (05 : 15) |
|
|
2.Andante(d minor) (03 : 30) |
|
|
3.Allegro assai (02 : 49) |
| - BWV1048 Brandenburg Concerto No. 3 in G Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.3 GÀåÁ¶ |
| Type A |
| 1.[Allegro] - Basis of the Sinfonia for Cantata BWV 174 (05 : 41) |
|
|
2.Adagio (00 : 31) |
|
|
3.Allegro - Derived from the Pastorale,BWV 590 (05 : 25) |
| Type B |
| 1.[Allegro] - Basis of the Sinfonia for Cantata BWV 174 (05 : 57) |
|
|
2.Adagio (00 : 55) |
|
|
3.Allegro - Derived from the Pastorale,BWV 590 (05 : 31) |
| - BWV1049 Brandenburg Concerto No. 4 in G Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.4 GÀåÁ¶ |
| Type A |
| 1.Allegro (06 : 52) |
|
|
2.Andante(e minor) (03 : 16) |
|
|
3.Presto (05 : 08) |
| - BWV1050 Brandenburg Concerto No. 5 in D Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.5 DÀåÁ¶ |
| Type A |
| 1.Allegro (10 : 02) |
|
|
2.Affettuoso(b minor) (05 : 34) |
|
|
3.Allegro (05 : 21) |
| Type B |
| 1.Allegro (07 : 58) |
|
|
2.Affettuoso(b minor) (05 : 30) |
|
|
3.Allegro (05 : 20) |
| - BWV1051 Brandenburg Concerto No. 6 in Bb Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.6 BbÀåÁ¶ |
| Type A |
| 1.[Allegro] (07 : 05) |
|
|
2.Adagio ma non tanto(Eb Major) (05 : 16) |
|
|
3.Allegro (05 : 31) |
| Type B |
| 1.[Allegro] (06 : 07) |
|
|
2.Adagio ma non tanto(Eb Major) (04 : 14) |
|
|
3.Allegro (05 : 42) |
| - BWV1052 Harpsichord Concerto in d minor / ÃÀ¹ß·ÎÇùÁÖ°î No.1 d´ÜÁ¶ |
| Type A |
| 1.Allegro - Based on Instrumental Mov. No. 1 of the Cantata BWV 146 (07 : 57) |
|
|
2.Adagio (07 : 01) |
|
|
3.Allegro (07 : 41) |
| - BWV1053 Harpsichord Concerto in E Major / ÃÀ¹ß·ÎÇùÁÖ°î No.2 EÀåÁ¶ |
| Type A |
| 1.Allegro - Based on Sinfonia of the Cantata BWV 169 (08 : 12) |
|
|
2.Siciliano(C# minor) - Based on Aria No.5 of the Cantata BWV 169 (04 : 54) |
|
|
3.Allegro - Based on a Sinfonia of the Cantata BWV 49 (06 : 36) |
| - BWV1054 Harpsichord Concerto in D Major / ÃÀ¹ß·ÎÇùÁÖ°î No.3 DÀåÁ¶ |
| Type A |
| 1.Allegro (08 : 19) |
|
|
2.Adagio e piano sempre(b minor) (06 : 32) |
|
|
3.Allegro (03 : 05) |
| - BWV1055 Harpsichord Concerto in A Major / ÃÀ¹ß·ÎÇùÁÖ°î No.4 AÀåÁ¶ |
| Type A |
| 1.Allegro (04 : 30) |
|
|
2.Larghetto(f# minor) (05 : 14) |
|
|
3.Allegro ma non tanto (04 : 15) |
| - BWV1056 Harpsichord Concerto in f minor / ÃÀ¹ß·ÎÇùÁÖ°î No.5 f´ÜÁ¶ |
| Type A |
| 1.Allegro moderato (03 : 27) |
|
|
2.Largo(Ab Major) (03 : 14) |
|
|
3.Presto (03 : 52) |
| - BWV1057 Harpsichord Concerto in F Major / ÃÀ¹ß·ÎÇùÁÖ°î No.6 FÀåÁ¶ |
| Type A |
| 1.Allegro (07 : 52) |
|
|
2.Andante(d minor) (04 : 00) |
|
|
3.Allegro assai (05 : 07) |
| - BWV1058 Harpsichord Concerto in g minor / ÃÀ¹ß·ÎÇùÁÖ°î No.7 g´ÜÁ¶ |
| Type A |
| 1.Allegro (03 : 53) |
|
|
2.Andante(Bb Major) (06 : 33) |
|
|
3.Allegro assai (03 : 50) |
| - BWV1059 Harpsichord Concerto in d minor(Incomplete) / ÃÀ¹ß·ÎÇùÁÖ°î No.8 d´ÜÁ¶ |
| Type A |
| 1.(Allegro) (05 : 51) |
|
|
2.(Siciliano, Adagio) (10 : 48) |
|
|
3.Presto (03 : 41) |
| - BWV1060 Concerto for Two Harpsichords in c minor / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î c´ÜÁ¶ |
| Type A |
| 1.Allegro (05 : 13) |
|
|
2.Adagio(Eb Major) (05 : 23) |
|
|
3.Allegro (03 : 47) |
| Type B |
| 1.Allegro (04 : 50) |
|
|
2.Adagio(Eb Major) (05 : 00) |
|
|
3.Allegro (03 : 24) |
| - BWV1061 Concerto for Two Harpsichords in C Major / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î CÀåÁ¶ |
| Type A |
| 1.Allegro (07 : 42) |
|
|
2.Adagio ovvero Largo(a minor) (05 : 01) |
|
|
3.Fugue (06 : 01) |
| - BWV1062 Concerto for Two Harpsichords in c minor / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î c´ÜÁ¶ |
| Type A |
| 1.Allegro (03 : 59) |
|
|
2.Andante(Eb Major) (05 : 56) |
|
|
3.Allegro assai (04 : 40) |
| - BWV1063 Concerto for Three Harpsichords in d minor / ¼¼´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î d´ÜÁ¶ |
| Type A |
| 1.Allegro (04 : 41) |
|
|
2.Alla Siciliana(F Major) (03 : 52) |
|
|
3.Allegro (04 : 33) |
| - BWV1064 Concerto for Three Harpsichords in C Major / ¼¼´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î CÀåÁ¶ |
| Type A |
| 1.Allegro (05 : 56) |
|
|
2.Adagio(a minor) (05 : 14) |
|
|
3.Allegro assai (04 : 28) |
| - BWV1065 Concerto for Four Harpsichords in a minor / ³×´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î a´ÜÁ¶ |
| Type A |
| 1.Allegro (03 : 49) |
|
|
2.Largo (01 : 58) |
|
|
3.Allegro (03 : 20) |
| - BWV1066 Orchestral Suite No. 1 in C Major / °üÇö¾Ç¸ðÀ½°î No.1 CÀåÁ¶ |
| Type A |
| 1.Ouverture (06 : 45) |
|
|
2.Courante (01 : 53) |
|
|
3.Gavotte I - alternativement,II (02 : 37) |
|
|
4.Forlane (01 : 31) |
|
|
5.Menuet I - alternativement,II (02 : 59) |
|
|
6.Bourree I - alternativement,II(c minor) (02 : 20) |
|
|
7.Passepied I,II (02 : 20) |
| Type B |
| 1.Ouverture (06 : 10) |
|
|
2.Courante (02 : 16) |
|
|
3.Gavotte I - alternativement,II (02 : 34) |
|
|
4.Forlane (01 : 24) |
|
|
5.Menuet I - alternativement,II (02 : 57) |
|
|
6.Bourree I - alternativement,II(c minor) (02 : 17) |
|
|
7.Passepied I,II (02 : 34) |
| - BWV1067 Orchestral Suite No. 2 in b minor / °üÇö¾Ç¸ðÀ½°î No.2 b´ÜÁ¶ |
| Type A |
| 1.Ouverture (06 : 39) |
|
|
2.Rondeau (01 : 33) |
|
|
3.Sarabande (02 : 26) |
|
|
4.Bourree I - alternativement,II (01 : 43) |
|
|
5.Polonaise & Double (03 : 04) |
|
|
6.Menuet (01 : 26) |
|
|
7.Badinerie (01 : 28) |
| Type B |
| 1.Ouverture (09 : 44) |
|
|
2.Rondeau (01 : 52) |
|
|
3.Sarabande (03 : 14) |
|
|
4.Bourree I - alternativement,II (02 : 08) |
|
|
5.Polonaise & Double (03 : 42) |
|
|
6.Menuet (01 : 17) |
|
|
7.Badinerie (01 : 33) |
| - BWV1068 Orchestral Suite No. 3 in D Major / °üÇö¾Ç¸ðÀ½°î No.3 DÀåÁ¶ |
| Type A |
| 1.Ouverture (06 : 44) |
|
|
2.Air (03 : 51) |
|
|
3.Gavotte I,II (02 : 59) |
|
|
4.Bourree (01 : 07) |
|
|
5.Gigue (02 : 29) |
| Type B |
| 1.Ouverture (11 : 41) |
|
|
2.Air (06 : 02) |
|
|
3.Gavotte I,II (04 : 31) |
|
|
4.Bourree (01 : 15) |
|
|
5.Gigue (02 : 52) |
| - BWV1069 Orchestral Suite No. 4 in D Major / °üÇö¾Ç¸ðÀ½°î No.4 DÀåÁ¶ |
| Type A |
| 1.Ouverture - used as the basis of the Chour No. 1 of the Cantata BWV 110 (07 : 12) |
|
|
2.Bourree I,II(b minor) (02 : 32) |
|
|
3.Gavotte (01 : 33) |
|
|
4.Menuet I - alternativement,II (04 : 13) |
|
|
5.Rejouissance (02 : 30) |
| Type B |
| 1.Ouverture - used as the basis of the Chour No. 1 of the Cantata BWV 110 (07 : 22) |
|
|
2.Bourree I,II(b minor) (02 : 40) |
|
|
3.Gavotte (02 : 03) |
|
|
4.Menuet I - alternativement,II (03 : 55) |
|
|
5.Rejouissance (02 : 43) |
| - BWV1072 Canon trias harmonica a 8,in contrary motion / 8¼º Ä«³í<3ÈÀ½> |
| Type A |
|
Full Version (00 : 46) |
| - BWV1073 Canon a 4 perpetuus 2 Aug / 4¼º Ä«³í |
| Type A |
|
Full Version (01 : 40) |
| - BWV1074 Canon a 4 completely invertible / 4¼º Ä«³í |
| Type A |
|
Full Version (01 : 55) |
| - BWV1075 Canon a 2 perpetuus / 2¼º Ä«³í |
| Type A |
|
Full Version (00 : 39) |
| - BWV1076 Canon triplex a 6 ;3 simultaneous canons a 2,each in contrary motion / 6¼º Ä«³í |
| Type A |
|
Full Version (00 : 33) |
| - BWV1077 Canone doppio sopr'il soggetto / 3¼º Ä«³í |
| Type A |
|
Full Version (00 : 52) |
| - BWV1078 Canon super fa mi a 7 post tempus misicum / 7¼º Ä«³í |
| Type A |
|
Full Version (01 : 39) |
| - BWV1079 Musical Offering(Musikalisches Opfer) / À½¾ÇÀÇ ÇåÁ¤ |
| Type A |
| 1.Ricercare,a 3(3¼º ¸®Ã¼¸£Ä«·¹) (05 : 26) |
|
|
2.Canon perpetuus(ÙíÏã Ä«³í) (01 : 23) |
|
|
3-1.Diverse canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 1)Canon,a 2,quarendo invenietis,for instruments a cordes(æ½ú¼ Ä«³í) (01 : 18) |
|
|
3-2.Diverse canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 2)Canon,a 2,Violini in unisono(ÔÒÓø Ä«³í) (00 : 47) |
|
|
3-3.Diverse canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 3)Canon,a 2,per motum contrarium,for instruments a cordes(Úãú¼ Ä«³í) (01 : 02) |
|
|
3-4.Diverse canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 4)Canon,a 2,per augmentationem,contrario motu,for instruments a cordes(Úãú¼ÀÇ üªÓÞ Ä«³í) (01 : 40) |
|
|
3-5.Diverse canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 5)Canon,a 2,per tonos,for instruments a cordes(³ª¼± Ä«³í) (02 : 43) |
|
|
4.Fugue Canonica,in Epidiapente(5µµÀÇ Çª°¡ Ä«³ë´ÏÄ«) (02 : 22) |
|
|
5.Canon,a 2(2¼º Ä«³í) (01 : 11) |
|
|
6.Canon,a 4(4¼º Ä«³í) (03 : 03) |
|
|
7.Ricercare,a 6(6¼º ¸®Ã¼¸£Ä«·¹) (05 : 43) |
|
|
8-1.Trio-Sonata on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 1)Largo (05 : 50) |
|
|
8-2.Trio-Sonata on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 2)Allegregro (05 : 51) |
|
|
8-3.Trio-Sonata on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 3)Andante(Eb Major) (03 : 07) |
|
|
8-4.Trio-Sonata on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 4)Allegro (03 : 06) |
|
|
9.Canon perpetuus(ÙíÏã Ä«³í) (02 : 11) |
| - BWV1080 Art of Fugue(Die Kunst der Fuge)(Incomplete) / Ǫ°¡ÀÇ ±â¹ý |
| Type A |
| 1.Contrapunctus I,a 4(Ǫ°¡ I,4¼º Ǫ°¡) (03 : 52) |
|
|
2.Contrapunctus II,a 4(Ǫ°¡ II,4¼º Ǫ°¡) (03 : 16) |
|
|
3.Contrapunctus III,a 4(Ǫ°¡ III,4¼º Ǫ°¡) (03 : 23) |
|
|
4.Contrapunctus IV,a 4Ǫ°¡ IV,4¼º Ǫ°¡) (05 : 31) |
|
|
5.Contrapunctus V,a 4(Ǫ°¡ V,4¼º Ǫ°¡) (04 : 14) |
|
|
6.Contrapunctus VI,a 4,in Stylo Francese(Ǫ°¡ VI,ÇÁ¶û½º ½ºÅ¸ÀÏÀÇ 4¼º Ǫ°¡) (04 : 16) |
|
|
7.Contrapunctus VII,a 4,per Augmentationem et Diminutionem(Ǫ°¡ VII,È®´ë¿Í Ãà¼Ò¿¡ ÀÇÇÑ 4¼º Ǫ°¡) (04 : 01) |
|
|
8.Contrapunctus VIII,a 3(Ǫ°¡ VIII,3¼º Ǫ°¡) (06 : 41) |
|
|
9.Contrapunctus IX,a 4,alla Duodecima(Ǫ°¡IX,12µµ¿¡ ÀÖ¾î¼ÀÇ 4¼º Ǫ°¡) (04 : 19) |
|
|
10.Contrapunctus X,a 4,alla Decima(Ǫ°¡ X,10µµ¿¡ ÀÖ¾î¼ÀÇ 4¼º Ǫ°¡) (04 : 19) |
|
|
11.Contrapunctus XI,a 4(Ǫ°¡ XI,4¼º Ǫ°¡) (07 : 39) |
|
|
12-1.Contrapunctus XII,a 4(Ǫ°¡ XII,4¼º Ǫ°¡) - 1)rectus(normal) (03 : 04) |
|
|
12-2.Contrapunctus XII,a 4(Ǫ°¡ XII,4¼º Ǫ°¡) - 2)inversus(reverse) (03 : 07) |
|
|
13-1.Contrapunctus XIII,a 3(Ǫ°¡ XIII,3¼º Ǫ°¡) - 1)rectus(normal) (02 : 51) |
|
|
13-2.Contrapunctus XIII,a 3(Ǫ°¡ XIII,3¼º Ǫ°¡) - 2)inversus(reverse) (02 : 56) |
|
|
14.Canon,a 2,per Augmentationem in contrario motu(°¥·Á°¡±â¿¡¼ÀÇ È®´ë¿¡ ÀÇÇÑ 2¼º Ä«³í) (04 : 13) |
|
|
15.Canon, a 2, alla Octtava(¿ÁŸºê¿¡¼ÀÇ 2¼º Ä«³í) (03 : 07) |
|
|
16.Canon, a 2, 2µµÀÇ 2¼º Ä«³í) (04 : 50) |
|
|
17.Canon,a 2,alla Duodecima in Contrapuncto alla Quinta(5µµ ´ëÀ§¿¡¼ÀÇ 12µµÀÇ 2¼º Ä«³í) (02 : 35) |
|
|
18.Fugue,a 4,Soggetti - Unfinished(¹Ì¿Ï¼º 4¼º Ǫ°¡,Á¦3 ÁÖÁ¦ : B-A-C-H) (08 : 42) |
| - BWV1083 Tilge,Höchster,meine Sünden in F Major |
| Type A |
| 1.Versus I : Tilge,Hoechster,meine Suenden (04 : 15) |
|
|
2.Versus II : Ist mein Herz (02 : 38) |
|
|
3.Versus III : Missetaten,die mich druecken (02 : 33) |
|
|
4.Versus IV : Dich erzuernt mein Tun und Lassen (02 : 52) |
|
|
5.Versus V,VI : Wer wird seine Schuld verneinen (02 : 11) |
|
|
6.Versus VII : Sieh!Ich bin in Suend empfangen (00 : 45) |
|
|
7.Versus VIII : Sieh,du willst die Wahrheit haben (03 : 35) |
|
|
8.Versus IX : Wasche mich doch rein von Sunden (03 : 05) |
|
|
9.Versus X : Lass mich Freud und Wonne spueren (02 : 20) |
|
|
10.Versus XI-XV : Schaue nicht auf meine Suenden (06 : 19) |
|
|
11.Versus XVI : Oeffne Lippen,Mund und Seele (04 : 41) |
|
|
12.Versus XVII,XVIII : Denn du willst kein Opfer haben (03 : 41) |
|
|
13.Versus XIX,XX : Lass dein Zion bluhend dauern (02 : 23) |
|
|
14.Amen (01 : 10) |
| - BWV1084 O hilf,Christe,Gottes Sohn |
| Type A |
|
Full Version (01 : 22) |
| - BWV1085 O Lamm Gottes,unschuldig |
| Type A |
|
Full Version (01 : 57) |
| - BWV1086 Canon concordia discors a 2,in contrary motion / Ä«³í |
| Type A |
|
Full Version (01 : 27) |
| - BWV1087 14 Canons on the First Eight Notes of Goldberg Ground(Verschiedene Canones [14]) / °ñµåº£¸£Å© º¯ÁÖ°î ½ÀÀÛ³ëÆ®ÀÇ Ã³À½ 8°³ Ä«³í¿¡ ÀÇÇÑ 14°³ÀÇ Ä«³í |
| Type A |
|
Full Version (09 : 22) |
| - BWV1089 Da Jesus an dem Kreutze stund |
| Type A |
|
Full Version (01 : 02) |
| - BWV1090 Wir Christenleut |
| Type A |
|
Full Version (01 : 46) |
| - BWV1091 Das alte Jahr vergangen ist |
| Type A |
|
Full Version (02 : 01) |
| - BWV1092 Herr Gott,nun schleu©¬ den Himmel auf |
| Type A |
|
Full Version (02 : 22) |
| - BWV1093 Herzliebster Jesu,was hast du verbrochen |
| Type A |
|
Full Version (01 : 56) |
| - BWV1094 O Jesu,wie ist dein Gestalt |
| Type A |
|
Full Version (02 : 34) |
| - BWV1095 O Lamm Gottes unschuldig |
| Type A |
|
Full Version (01 : 33) |
| - BWV1096 Christe,der du bist Tag und Licht(oder: Wir danken dir,Herr Jesu Christ) |
| Type A |
|
Full Version (02 : 29) |
| - BWV1097 Ehre sei dir,Christe,der du leidest Not |
| Type A |
|
Full Version (01 : 40) |
| - BWV1098 Wir glauben all an einen Gott |
| Type A |
|
Full Version (02 : 55) |
| - BWV1099 Aus tiefer Not schrei ich zu dir / °íÅëÀÇ ½É¿¬¿¡¼ ³ª´Â ´ç½Å²² ºÎ¸£Â¢³ªÀÌ´Ù |
| Type A |
|
Full Version (01 : 57) |
| - BWV1100 Allein zu dir,Herr Jesu Christ / ¿ÀÁ÷ ÇÑ ºÐÀ̽Å,ÁÖ ¿¹¼ö ±×¸®½ºµµ¿© |
| Type A |
|
Full Version (02 : 16) |
| - BWV1101 Durch Adams Fall ist ganz verderbt |
| Type A |
|
Full Version (03 : 03) |
| - BWV1102 Du Friedefürst,Herr Jesu Christ / ÆòÈÀÇ ¿Õ,ÁÖ ¿¹¼ö ±×¸®½ºµµ |
| Type A |
|
Full Version (02 : 41) |
| - BWV1103 Erhalt uns,Herr,bei deinem Wort / ÁÖ¿©,¸»¾¸À¸·Î ¿ì¸®¸¦ ÁöÄÑÁÖ¼Ò¼ |
| Type A |
|
Full Version (01 : 23) |
| - BWV1104 Wenn dich Unglück tut greifen an |
| Type A |
|
Full Version (01 : 33) |
| - BWV1105 Jesu,meine Freude / ¿¹¼ö´Â ³ªÀÇ ±â»Ý |
| Type A |
|
Full Version (01 : 37) |
| - BWV1106 Gott ist mein Heil,mein Hilf und Trost |
| Type A |
|
Full Version (01 : 40) |
| - BWV1107 Jesu,meines Lebens Leben |
| Type A |
|
Full Version (01 : 27) |
| - BWV1108 Als Jesus Christus in der Nacht / ¹ãÀÇ ¿¹¼ö ±×¸®½ºµµ·Î¼ |
| Type A |
|
Full Version (02 : 13) |
| - BWV1109 Ach Gott,tu dich erbarmen |
| Type A |
|
Full Version (02 : 01) |
| - BWV1110 O Herre Gott,dein göttlich Wort |
| Type A |
|
Full Version (01 : 55) |
| - BWV1111 Nun lasset uns den Leib begrab'n |
| Type A |
|
Full Version (02 : 17) |
| - BWV1112 Christus,der ist mein Leben / ±×¸®½ºµµ´Â ³ªÀÇ »ý¸íÀ̽ÿä |
| Type A |
|
Full Version (01 : 11) |
| - BWV1113 Ich hab mein Sach Gott heimgestellt |
| Type A |
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Full Version (02 : 04) |
| - BWV1114 Herr Jesu Christ,du höchstes Gut / Áö°í(ò¸ÍÔ)ÀÇ ¼±(à¼)À̽ŠÁÖ ¿¹¼ö ±×¸®½ºµµ |
| Type A |
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Full Version (03 : 13) |
| - BWV1115 Herzlich lieb hab ich dich,o Herr |
| Type A |
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Full Version (02 : 42) |
| - BWV1116 Was Gott tut,das ist wohlgetan / Çϳª´ÔÀÇ ÇϽô ÀÏÀº ¸ðµÎ ¼±Çϵµ´Ù |
| Type A |
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Full Version (01 : 32) |
| - BWV1117 Alle Menschen müssen sterben |
| Type A |
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Full Version (01 : 58) |
| - BWV1118 Werde munter,mein Gemüte |
| Type A |
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Full Version (01 : 44) |
| - BWV1119 Wie nach einer Wasserquelle |
| Type A |
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Full Version (01 : 19) |
| - BWV1120 Christ,der du bist der helle Tag / ±×´ë ¹àÀº ³¯ÀÎ ±×¸®½ºµµ |
| Type A |
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Full Version (01 : 39) |
| - BWV1122 Denket doch, Ihr Menschenkinder |
| Type A |
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Full Version (01 : 05) |
| - BWV1123 Wo Gott zum Haus nich gibt sein Gunst |
| Type A |
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Full Version (00 : 36) |
| - BWV1124 Ich ruf zu dir, Herr Jesu Christ |
| Type A |
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Full Version (01 : 32) |
| - BWV1125 O Gott, du frommer Gott |
| Type A |
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Full Version (01 : 09) |
| - BWV1126 Lobet Gott,unseren Herren |
| Type A |
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Full Version (00 : 58) |
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