 Midi - BWV1000 ~ BWV1108 : µè°í ½ÍÀ¸½Å °îµéÀ» üũÇϽŠÈÄ 'Send' ¹öÆ°À» ´·¯ÁÖ¼¼¿ä. |
| - BWV1000 Fugue
in g minor / Ǫ°¡ g´ÜÁ¶ |
| Type
A |
|
Full
Version (04 : 59) |
| Type
B |
|
Full
Version (04 : 33) |
| Type
C |
|
Full
Version (04 : 33) |
| - BWV1001 Sonata
in g minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.1 g´ÜÁ¶ |
| Type
A |
|
1.Adagio
(03 : 23) |
|
|
2.Fugue(
Allegro ) - transcribed for Lute as BWV 1000 and for Organ in BWV
539 (03 : 20) |
|
|
3.Siciliana
(02 : 54) |
|
|
4.Presto
(05 : 26) |
| - BWV1002 Partita
in b minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° Æĸ£Æ¼Å¸ No.1 b´ÜÁ¶ |
| Type
A |
|
1.Allemanda
(06 : 13) |
|
|
2.-
Double (03 : 10) |
|
|
3.Corrente
(04 : 48) |
|
|
4.-
Double( Presto ) (07 : 04) |
|
|
5.Sarabande
(04 : 42) |
|
|
6.-
Double (02 : 05) |
|
|
7.Tempo
di Borea (05 : 16) |
|
|
8.-
Double (04 : 35) |
| - BWV1003 Sonata
in a minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.2 a´ÜÁ¶ |
| Type
A |
|
1.Grave
(03 : 32) |
|
|
2.Fugue
(07 : 16) |
|
|
3.Andante
(05 : 46) |
|
|
4.Allegro
(05 : 09) |
| - BWV1004 Partita
in d minor / ¹«¹ÝÁÖ ¹ÙÀ̿ø° Æĸ£Æ¼Å¸ No.2 d´ÜÁ¶ |
| Type
A |
|
1.Allemanda
(03 : 59) |
|
|
2.Corrente
(02 : 52) |
|
|
3.Sarabanda
(03 : 27) |
|
|
4.Gigue
(05 : 41) |
|
|
5.Ciaconna
(12 : 50) |
| Type
B |
|
5.Ciaconna (15 : 21) |
| Type
C |
|
5.Ciaconna (10 : 43) |
| - BWV1005 Sonata
in C Major / ¹«¹ÝÁÖ ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.3 CÀåÁ¶ |
| Type
A |
|
1.Adagio
- transcribed for keyboard as BWV 968 (03 : 48) |
|
|
2.Fugue
(32 : 58) |
|
|
3.Largo
(02 : 28) |
|
|
4.Allegro
Assai (06 : 33) |
| - BWV1006 Partita
in E Major / ¹«¹ÝÁÖ ¹ÙÀ̿ø° Æĸ£Æ¼Å¸ No.3 EÀåÁ¶ |
| Type
A |
|
1.Preludio
- transcribed as the Sinfonia to BWV29 and Chorus of BWV 120a (11
: 29) |
|
|
2.Loure
(05 : 27) |
|
|
3.Gavotte
en Rondeau (03 : 07) |
|
|
4.Menuet
I, II (03 : 35) |
|
|
5.Bourree
(01 : 51) |
|
|
6.Gigue
(02 : 00) |
| - BWV1007 Suite
in G Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.1 GÀåÁ¶ |
| Type
A |
|
1.Prelude
(02 : 09) |
|
|
2.Allemande
(03 : 20) |
|
|
3.Courante
(02 : 24) |
|
|
4.Sarabande
(01 : 57) |
|
|
5.Menuet
I, II( II g minor ) (02 : 34) |
|
|
6.Gigue
(01 : 17) |
| - BWV1008 Suite
in d minor / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.2 d´ÜÁ¶ |
| Type
A |
|
1.Prelude
(08 : 58) |
|
|
2.Allemande
(02 : 38) |
|
|
3.Courante
(02 : 02) |
|
|
4.Sarabande
(03 : 57) |
|
|
5.Menuet
I, II( II D Major ) (03 : 23) |
|
|
6.Gigue
(02 : 40) |
| - BWV1009 Suite
in C Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.3 CÀåÁ¶ |
| Type
A |
|
1.Prelude
(04 : 08) |
|
|
2.Allemande
(03 : 54) |
|
|
3.Courante
(03 : 15) |
|
|
4.Sarabande
(03 : 36) |
|
|
5.Bouree(sic)
I, II( II C minor ) (04 : 03) |
|
|
6.Gigue
(03 : 46) |
| - BWV1010 Suite
in Eb Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.4 EbÀåÁ¶ |
| Type
A |
|
1.Prelude
(06 : 38) |
|
|
2.Allemande
(03 : 25) |
|
|
3.Courante
(02 : 58) |
|
|
4.Sarabande
(04 : 15) |
|
|
5.Bouree(sic)
I, II (04 : 52) |
|
|
6.Gigue
(03 : 40) |
| - BWV1011 Suite
in c minor / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.5 c´ÜÁ¶ |
| Type
A |
|
1.Prelude
(08 : 00) |
|
|
2.Allemande
(03 : 25) |
|
|
3.Courante
(02 : 05) |
|
|
4.Sarabande
(02 : 36) |
|
|
5.Gavotte
I, II (05 : 04) |
|
|
6.Gigue
(02 : 10) |
| - BWV1012 Suite
in D Major / ¹«¹ÝÁÖ Ã¿·Î¸ðÀ½°î No.6 DÀåÁ¶ |
| Type
A |
|
1.Prelude
(08 : 54) |
|
|
2.Allemande
(05 : 27) |
|
|
3.Courante
(03 : 36) |
|
|
4.Sarabande
(03 : 29) |
|
|
5.Gavotte
I, II (04 : 40) |
|
|
6.Gigue
(03 : 25) |
| - BWV1013 Partita(Sonata)
in a minor / ¹«¹ÝÁÖ Çø¡ ¼Ò³ªÅ¸ a´ÜÁ¶ |
| Type
A |
|
1.Allemande
(02 : 35) |
|
|
2.Corrente
(02 : 34) |
|
|
3.Sarabande
(01 : 58) |
|
|
4.Bourree
Anglaise (01 : 46) |
| - BWV1014 Sonata
in b minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.1 b´ÜÁ¶ |
| Type
A |
|
1.Adagio
(04 : 35) |
|
|
2.Allegro
(03 : 18) |
|
|
3.Andante(
D Major ) (03 : 27) |
|
|
4.Allegro
(03 : 56) |
| - BWV1015 Sonata
in A Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.2 AÀåÁ¶ |
| Type
A |
|
1.-
(02 : 27) |
|
|
2.Allegro
assai (03 : 33) |
|
|
3.Andante
un poco(f# minor ) (03 : 18) |
|
|
4.Presto
(04 : 43) |
| - BWV1016 Sonata
in E Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.3 EÀåÁ¶ |
| Type
A |
|
1.Adagio
(05 : 01) |
|
|
2.Allegro
(03 : 04) |
|
|
3.Adagio
ma non tanto( c# minor ) (04 : 41) |
|
|
4.Allegro
(03 : 57) |
| - BWV1017 Sonata
in c minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.4 c´ÜÁ¶ |
| Type
A |
|
1.Siciliano.
Largo (03 : 56) |
|
|
2.Allegro
(04 : 51) |
|
|
3.Adagio
ma non tanto( Eb Major ) (03 : 41) |
|
|
4.Allegro
assai (05 : 18) |
| - BWV1018 Sonata
in f minor / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.5 f´ÜÁ¶ |
| Type
A |
|
1.Largo
(06 : 21) |
|
|
2.Allegro
(04 : 57) |
|
|
3.Adagio(
c minor ) (03 : 25) |
|
|
4.Vivace
(02 : 32) |
| - BWV1019 Sonata
in G Major / ¹ÙÀ̿ø° ¼Ò³ªÅ¸ No.6 GÀåÁ¶ |
| Type
A |
|
1.Allegro
(04 : 01) |
|
|
2.Largo(
e minor ) (01 : 53) |
|
|
3.Allegro(
b minor ) (05 : 27) |
|
|
4.Adagio(
b minor ) (02 : 37) |
|
|
5.Allegro
- based on Aria No. 3 of BWV 202 (03 : 22) |
| - BWV1020 Sonata
in g minor(Spurious) / ¹ÙÀ̿ø°(Çø¡) ¼Ò³ªÅ¸ g´ÜÁ¶ |
| Type
A |
|
1.Allegro
moderato (03 : 55) |
|
|
2.Adagio(Eb
Major) (02 : 42) |
|
|
3.Allegro
(05 : 05) |
| - BWV1025 Suite
in A Major(Spurious) / ¸ðÀ½°î AÀåÁ¶ |
| Type
A |
|
1.Fantasia
(01 : 56) |
|
|
2.Courante
(06 : 11) |
|
|
3.Entree
(03 : 01) |
|
|
4.Rondeau
(04 : 04) |
|
|
5.Sarabande
(04 : 07) |
|
|
6.Menuet
(02 : 48) |
|
|
7.Allegro
(04 : 11) |
| - BWV1027 Sonata
in G Major / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.1 GÀåÁ¶ |
| Type
A |
|
Full
Version (12 : 04) |
| - BWV1028 Sonata
in D Major / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.2 DÀåÁ¶ |
| Type
A |
|
Full
Version (13 : 20) |
| - BWV1029 Sonata
in g minor / ÿ·Î(ºñ¿Ã¶ó ´Ù°¨¹Ù) ¼Ò³ªÅ¸ No.3 g´ÜÁ¶ |
| Type
A |
|
Full
Version (14 : 42) |
| - BWV1030 Sonata
in b minor / Çø¡ ¼Ò³ªÅ¸ No.1 b´ÜÁ¶ |
| Type
A |
|
Full
Version (15 : 51) |
| - BWV1031 Sonata
in Eb Major / Çø¡ ¼Ò³ªÅ¸ No.2 EbÀåÁ¶ |
| Type
A |
|
1.Allegro
(03 : 01) |
|
|
2.Siciliano(g
minor) (01 : 38) |
|
|
3.Allegro
(02 : 13) |
| Type
B |
|
1.Allegro
(03 : 35) |
|
|
2.Siciliano(g
minor) (02 : 14) |
|
|
3.Allegro
(02 : 21) |
| - BWV1032 Sonata
in A Major / Çø¡ ¼Ò³ªÅ¸ No.3 AÀåÁ¶ |
| Type
A |
|
1.Vivace
(03 : 44) |
|
|
2.Largo
e dolce(a minor) (05 : 53) |
|
|
3.Allegro
(04 : 30) |
| - BWV1033 Sonata
in C Major / Çø¡ ¼Ò³ªÅ¸ No.4 CÀåÁ¶ |
| Type
A |
|
Full
Version (13 : 38) |
| Type
B |
|
1.Andante-Presto
(01 : 53) |
|
|
2.Allegro
(02 : 27) |
|
|
3.Adagio(a
minor) (01 : 41) |
|
|
4.Menuetto
I,II (02 : 48) |
| - BWV1034 Sonata
in e minor / Çø¡ ¼Ò³ªÅ¸ No.5 e´ÜÁ¶ |
| Type
A |
|
1.Adagio
ma non tanto (03 : 24) |
|
|
2.Allegro
(02 : 49) |
|
|
3.Andante(G
Major) (04 : 13) |
|
|
4.Allegro
(05 : 29) |
| - BWV1035 Sonata
in E Major / Çø¡ ¼Ò³ªÅ¸ No.6 EÀåÁ¶ |
| Type
A |
|
1.Adagio
ma non tanto (02 : 26) |
|
|
2.Allegro
(03 : 37) |
|
|
3.Siciliano(c#
minor) (04 : 12) |
|
|
4.Allegro
assai (03 : 28) |
| - BWV1039 Trio
Sonata for 2 Flutes and Harpsichord in G Major / Æ®¸®¿À ¼Ò³ªÅ¸ GÀåÁ¶ |
| Type
A |
|
1.Adagio
(04 : 14) |
|
|
2.Allegro
ma non presto (03 : 25) |
|
|
3.Adagio
e piano(e minor) (01 : 53) |
|
|
4.Presto
(03 : 23) |
| - BWV1041 Violin
Concerto in a minor / ¹ÙÀ̿ø° ÇùÁÖ°î a´ÜÁ¶ |
| Type
A |
|
Full
Version (14 : 08) |
| Type
B |
|
1.-
(03 : 41) |
|
|
2.Andante(C
Major) (06 : 34) |
|
|
3.Allegro
assai (03 : 27) |
| - BWV1042 Violin
Concerto in E Major / ¹ÙÀ̿ø° ÇùÁÖ°î EÀåÁ¶ |
| Type
A |
|
Full
Version (09 : 27) |
| Type
B |
|
Full
Version (07 : 40) |
| - BWV1043 Concerto
for 2 violins in d minor / µÎ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î d´ÜÁ¶ |
| Type
A |
|
Full
Version (15 : 21) |
| - BWV1046 Brandenburg
Concerto No. 1 in F Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.1 FÀåÁ¶ |
| Type
A |
|
Full
Version (27 : 41) |
| Type
B |
|
1.[Allegro]
(03 : 49) |
|
|
2.Adagio(d
minor) (03 : 22) |
|
|
3.Allegro
- used as the basis of the 1st Chorus of the Cantata BWV207 (07
: 44) |
|
|
4.i.Menuet-ii.Trio
I-ii.Polacca- (06 : 33) |
|
|
iv.Trio
II - used as the basis of the Ritournelle No. 7 in BWV207 (03 :
11) |
| - BWV1047 Brandenburg
Concerto No. 2 in F Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.2 FÀåÁ¶ |
| Type
A |
|
Full
Version (12 : 51) |
| Type
B |
|
Full
Version (15 : 31) |
| Type
C |
|
1.[Allegro]
(04 : 46) |
|
|
2.Andante(d
minor) (03 : 19) |
|
|
3.Allegro
assai (02 : 20) |
| - BWV1048 Brandenburg
Concerto No. 3 in G Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.3 GÀåÁ¶ |
| Type
A |
|
Full
Version (13 : 07) |
| Type
B |
|
Full
Version (10 : 44) |
| - BWV1049 Brandenburg
Concerto No. 4 in G Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.4 GÀåÁ¶ |
| Type
A |
|
1.Allegro
(08 : 11) |
|
|
2.Andante(e
minor) (03 : 06) |
|
|
3.Presto
(05 : 00) |
| Type
B |
|
1.Allegro
(08 : 09) |
|
|
2.Andante(e
minor) (03 : 40) |
|
|
3.Presto
(05 : 45) |
| - BWV1050 Brandenburg
Concerto No. 5 in D Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.5 DÀåÁ¶ |
| Type
A |
|
1.Allegro
(10 : 53) |
|
|
2.Affettuoso(b
minor) (05 : 18) |
|
|
3.Allegro
(05 : 21) |
| Type
B |
|
1.Allegro
(10 : 48) |
|
|
2.Affettuoso(b
minor) (05 : 27) |
|
|
3.Allegro
(04 : 45) |
| - BWV1051 Brandenburg
Concerto No. 6 in Bb Major / ºê¶õµ§ºÎ¸£Å©ÇùÁÖ°î No.6 BbÀåÁ¶ |
| Type
A |
|
Full
Version (15 : 43) |
| Type
B |
|
1.[Allegro]
(05 : 12) |
|
|
2.Adagio
ma non tanto(Eb Major) (05 : 05) |
|
|
3.Allegro
(07 : 58) |
| - BWV1052 Harpsichord
Concerto in d minor / ÃÀ¹ß·ÎÇùÁÖ°î No.1 d´ÜÁ¶ |
| Type
A |
|
1.Allegro
- Based on Instrumental Mov. No. 1 of the Cantata BWV146 (06 : 18) |
|
|
2.Adagio
(05 : 45) |
|
|
3.Allegro
(07 : 07) |
| Type
B |
|
1.Allegro
- Based on Instrumental Mov. No. 1 of the Cantata BWV146 (09 : 07) |
|
|
2.Adagio
(16 : 50) |
|
|
3.Allegro
(06 : 09) |
| - BWV1053 Harpsichord
Concerto in E Major / ÃÀ¹ß·ÎÇùÁÖ°î No.2 EÀåÁ¶ |
| Type
A |
|
1.Allegro
- Based on Sinfonia of the Cantata BWV169 (07 : 58) |
|
|
2.Siciliano(
C# minor ) - Based on Aria No.5 of the Cantata BWV169 (03 : 54) |
|
|
3.Allegro
- Based on a Sinfonia of the Cantata BWV49 (06 : 36) |
| - BWV1054 Harpsichord
Concerto in D Major / ÃÀ¹ß·ÎÇùÁÖ°î No.3 DÀåÁ¶ |
| Type
A |
|
1.Allegro
(13 : 46) |
|
|
2.Adagio
e piano sempre( b minor ) (05 : 20) |
|
|
3.Allegro
(02 : 56) |
| - BWV1055 Harpsichord
Concerto in A Major / ÃÀ¹ß·ÎÇùÁÖ°î No.4 AÀåÁ¶ |
| Type
A |
|
1.Allegro
(04 : 33) |
|
|
2.Larghetto(f#
minor ) (04 : 40) |
|
|
3.Allegro
ma non tanto (04 : 35) |
| Type
B |
|
1.Allegro
(05 : 36) |
|
|
2.Larghetto(f#
minor ) (04 : 21) |
|
|
3.Allegro
ma non tanto (05 : 05) |
| - BWV1056 Harpsichord
Concerto in f minor / ÃÀ¹ß·ÎÇùÁÖ°î No.5 f´ÜÁ¶ |
| Type
A |
|
1.Allegro
moderato (03 : 35) |
|
|
2.Largo(
Ab Major ) (02 : 40) |
|
|
3.Presto
(03 : 52) |
| Type
B |
|
Full
Version (09 : 09) |
| - BWV1057 Harpsichord
Concerto in F Major / ÃÀ¹ß·ÎÇùÁÖ°î No.6 FÀåÁ¶ |
| Type
A |
|
1.Allegro
(07 : 26) |
|
|
2.Andante(
d minor ) (03 : 57) |
|
|
3.Allegro
assai (05 : 28) |
| - BWV1060 Concerto
for Two Harpsichords in c minor / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î c´ÜÁ¶ |
| Type
A |
|
Full
Version (15 : 08) |
| Type
B |
|
Full
Version (15 : 06) |
| Type
C |
|
1.Allegro
(05 : 08) |
|
|
2.Adagio(
Eb Major ) (05 : 18) |
|
|
3.Allegro
(03 : 30) |
| - BWV1061 Concerto
for Two Harpsichords in C Major / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î CÀåÁ¶ |
| Type
A |
|
Full
Version (21 : 00) |
| - BWV1062 Concerto
for Two Harpsichords in c minor / µÎ´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î c´ÜÁ¶ |
| Type
A |
|
Full
Version (15 : 48) |
| - BWV1063 Concerto
for Three Harpsichords in d minor / ¼¼´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î d´ÜÁ¶ |
| Type
A |
|
Full
Version (14 : 59) |
| - BWV1064 Concerto
for Three Harpsichords in C Major / ¼¼´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î CÀåÁ¶ |
| Type
A |
|
1.Allegro
(07 : 28) |
|
|
2.Adagio(
a minor ) (05 : 17) |
|
|
3.Allegro
assai (05 : 29) |
| Type
B |
|
1.Allegro
(04 : 45) |
|
|
2.Adagio(
a minor ) (04 : 38) |
|
|
3.Allegro
assai (04 : 50) |
| - BWV1065 Concerto
for Four Harpsichords in a minor / ³×´ëÀÇ ÃÀ¹ß·Î¸¦ À§ÇÑ ÇùÁÖ°î a´ÜÁ¶ |
| Type
A |
|
Full
Version (09 : 04) |
| - BWV1066 Orchestral
Suite No. 1 in C Major / °üÇö¾Ç¸ðÀ½°î No.1 CÀåÁ¶ |
| Type
A |
|
1.Ouverture
(06 : 12) |
|
|
2.Courante (08 : 24) |
|
3.Gavotte I - alternativement,II (06 : 38) |
|
|
4.Forlane
(02 : 00) |
|
|
5.Menuet
I - alternativement,II (03 : 42) |
|
|
6.Bourree
I - alternativement,II(c minor) (02 : 42) |
|
|
7.Passepied
I,II (03 : 56) |
| Type
B |
|
1.Ouverture
(11 : 34) |
|
|
2.Courante (02 : 04) |
|
|
3.Gavotte
I - alternativement,II (03 : 59) |
|
|
4.Forlane
(01 : 22) |
|
|
5.Menuet
I - alternativement,II (05 : 03) |
|
|
6.Bourree
I - alternativement,II(c minor) (03 : 02) |
|
|
7.Passepied
I,II (03 : 36) |
| - BWV1067 Orchestral
Suite No. 2 in b minor / °üÇö¾Ç¸ðÀ½°î No.2 b´ÜÁ¶ |
| Type
A |
|
1.Ouverture
(12 : 13) |
|
|
2.Rondeau
(01 : 46) |
|
|
3.Sarabande
(02 : 41) |
|
|
4.Bourree
I - alternativement,II (02 : 20) |
|
|
5.Polonaise
& Double (04 : 35) |
|
|
6.Menuet
(01 : 28) |
|
|
7.Badinerie
(01 : 26) |
| Type
B |
|
1.Ouverture
(12 : 31) |
|
|
2.Rondeau
(02 : 41) |
|
|
3.Sarabande
(05 : 37) |
|
|
4.Bourree
I - alternativement,II (03 : 09) |
|
|
5.Polonaise
& Double (03 : 49) |
|
|
6.Menuet
(01 : 53) |
|
|
7.Badinerie
(02 : 12) |
| - BWV1068 Orchestral
Suite No. 3 in D Major / °üÇö¾Ç¸ðÀ½°î No.3 DÀåÁ¶ |
| Type
A |
|
1.Ouverture
(06 : 10) |
|
|
2.Air
(04 : 31) |
|
|
3.Gavotte
I,II (05 : 06) |
|
|
4.Bourree
(01 : 19) |
|
|
5.Gigue
(02 : 56) |
| Type
B |
|
1.Ouverture
(10 : 50) |
|
|
2.Air
(04 : 39) |
|
|
3.Gavotte
I,II (04 : 33) |
|
|
4.Bourree
(01 : 19) |
|
|
5.Gigue
(03 : 05) |
| Type
C |
|
Full
Version (04 : 33) |
| - BWV1069 Orchestral
Suite No. 4 in D Major / °üÇö¾Ç¸ðÀ½°î No.4 DÀåÁ¶ |
| Type
A |
|
1.Ouverture
- used as the basis of the Chour No. 1 of the Cantata BWV110 (06
: 23) |
|
|
2.Bourree
I,II(b minor) (02 : 52) |
|
|
3.Gavotte
(01 : 56) |
|
|
4.Menuet
I - alternativement,II (03 : 51) |
|
|
5.Rejouissance
(02 : 34) |
| Type
B |
|
1.Ouverture
- used as the basis of the Chour No. 1 of the Cantata BWV110 (12
: 49) |
|
|
2.Bourree
I,II(b minor) (03 : 29) |
|
|
3.Gavotte
(02 : 01) |
|
|
4.Menuet
I - alternativement,II (04 : 54) |
|
|
5.Rejouissance
(03 : 48) |
| - BWV1072 Canon
trias harmonica a 8, in contrary motion / 8¼º Ä«³í<3ÈÀ½> |
| Type
A |
|
Full
Version (00 : 16) |
| - BWV1073 Canon
a 4 perpetuus 2 Aug / 4¼º Ä«³í |
| Type
A |
|
Full
Version (01 : 09) |
| Type
B |
|
Full
Version (01 : 51) |
| - BWV1074 Canon
a 4 completely invertible / 4¼º Ä«³í |
| Type
A |
|
Full
Version (00 : 40) |
| - BWV1075 Canon
a 2 perpetuus / 2¼º Ä«³í |
| Type
A |
|
Full
Version (00 : 19) |
| - BWV1076 Canon
triplex a 6 ;3 simultaneous canons a 2, each in contrary motion
/ 6¼º Ä«³í |
| Type
A |
|
Full
Version (00 : 26) |
| - BWV1077 Canone
doppio sopr'il soggetto / 3¼º Ä«³í |
| Type
A |
|
Full
Version (00 : 16) |
| - BWV1078 Canon
super fa mi a 7 post tempus misicum / 7¼º Ä«³í |
| Type
A |
|
Full
Version (00 : 58) |
| - BWV1079 Musical
Offering(Musikalisches Opfer) / À½¾ÇÀÇ ÇåÁ¤ |
| Type
A |
|
1.Ricercare,
a 3(3¼º ¸®Ã¼¸£Ä«·¹) (06 : 20) |
|
|
2.Canon
perpetuus(ÙíÏã Ä«³í) (01 : 08) |
|
|
3-1.Diverse
canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 1)Canon, a 2, quarendo
invenietis, for instruments a cordes(æ½ú¼ Ä«³í) (00 : 54) |
|
|
3-2.Diverse
canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 2)Canon, a 2, Violini
in unisono(ÔÒÓø Ä«³í) (00 : 31) |
|
|
3-3.Diverse
canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 3)Canon, a 2, per motum
contrarium, for instruments a cordes(Úãú¼ Ä«³í) (00 : 36) |
|
|
3-4.Diverse
canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 4)Canon, a 2, per augmentationem,
contrario motu, for instruments a cordes(Úãú¼ÀÇ üªÓÞ Ä«³í) (02 : 46) |
|
|
3-5.Diverse
canons on the royal theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ä«³í) - 5)Canon, a 2, per tonos,
for instruments a cordes(³ª¼± Ä«³í) (02 : 57) |
|
|
4.Fugue
Canonica, in Epidiapente(5µµÀÇ Çª°¡ Ä«³ë´ÏÄ«) (02 : 50) |
|
|
5.Ricercare,
a 6(6¼º ¸®Ã¼¸£Ä«·¹) (07 : 24) |
|
|
6.Canon,
a 2(2¼º Ä«³í) (01 : 56) |
|
|
7.Canon,
a 4(4¼º Ä«³í) (02 : 51) |
|
|
8-1.Trio-Sonata
on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 1)Largo (06 : 51) |
|
|
8-2.Trio-Sonata
on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 2)Allegro (09 : 56) |
|
|
8-3.Trio-Sonata
on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 3)Andante(Eb Major)
(03 : 38) |
|
|
8-4.Trio-Sonata
on the Royal Theme(¿ÕÀÇ ÁÖÁ¦¿¡ ÀÇÇÑ Æ®¸®¿À ¼Ò³ªÅ¸) - 4)Allegro
(04 : 01) |
|
|
9.Canon perpetuus(ÙíÏã Ä«³í) (02 : 21) |
| - BWV1080 Art
of Fugue(Die Kunst der Fuge)(Incomplete) / Ǫ°¡ÀÇ ±â¹ý |
| Type
A |
|
1.Contrapunctus
I, a 4(Ǫ°¡ I, 4¼º Ǫ°¡) (03 : 35) |
|
|
2.Contrapunctus
II, a 4(Ǫ°¡ II, 4¼º Ǫ°¡) (03 : 05) |
|
|
3.Contrapunctus
III, a 4(Ǫ°¡ III, 4¼º Ǫ°¡) (03 : 04) |
|
|
4.Contrapunctus
IV, a 4Ǫ°¡ IV, 4¼º Ǫ°¡) (05 : 33) |
|
|
5.Contrapunctus
V, a 4(Ǫ°¡ V, 4¼º Ǫ°¡) (03 : 38) |
|
|
6.Contrapunctus
VI, a 4, in Stylo Francese(Ǫ°¡ VI, ÇÁ¶û½º ½ºÅ¸ÀÏÀÇ 4¼º Ǫ°¡) (03 : 33) |
|
|
7.Contrapunctus
VII, a 4, per Augmentationem et Diminutionem(Ǫ°¡ VII, È®´ë¿Í Ãà¼Ò¿¡ ÀÇÇÑ
4¼º Ǫ°¡) (04 : 05) |
|
|
8.Contrapunctus
VIII, a 3(Ǫ°¡ VIII, 3¼º Ǫ°¡) (07 : 13) |
|
|
9.Contrapunctus
IX, a 4, alla Duodecima(Ǫ°¡IX,12µµ¿¡ ÀÖ¾î¼ÀÇ 4¼º Ǫ°¡) (04 : 08) |
|
|
10.Contrapunctus
X, a 4, alla Decima(Ǫ°¡ X,10µµ¿¡ ÀÖ¾î¼ÀÇ 4¼º Ǫ°¡) (04 : 23) |
|
|
11.Contrapunctus
XI, a 4(Ǫ°¡ XI, 4¼º Ǫ°¡) (08 : 42) |
|
|
12-1.Contrapunctus
XII, a 4(Ǫ°¡ XII, 4¼º Ǫ°¡) - 1)rectus(normal) (03 : 30) |
|
|
12-2.Contrapunctus
XII, a 4(Ǫ°¡ XII, 4¼º Ǫ°¡) - 2)inversus(reverse) (03 : 26) |
|
|
13-1.Contrapunctus
XIII, a 3(Ǫ°¡ XIII, 3¼º Ǫ°¡) - 1)rectus(normal) (03 : 40) |
|
|
13-2.Contrapunctus
XIII, a 3(Ǫ°¡ XIII, 3¼º Ǫ°¡) - 2)inversus(reverse) (03 : 50) |
|
|
14.Canon,
a 2, per Augmentationem in contrario motu(°¥·Á°¡±â¿¡¼ÀÇ È®´ë¿¡ ÀÇÇÑ 2¼º Ä«³í)
(04 : 06) |
|
|
15.Canon, a 2, alla Octtava(¿ÁŸºê¿¡¼ÀÇ 2¼º Ä«³í) (05 : 39) |
|
|
16.Canon, a 2, alla Decima in Contrapuncto alla Terza(3µµ ´ëÀ§¿¡¼ÀÇ 10µµÀÇ 2¼º Ä«³í) (04 : 04) |
|
|
17.Canon,a 2, alla Duodecima in Contrapuncto alla Quinta(5µµ ´ëÀ§¿¡¼ÀÇ 12µµÀÇ 2¼º Ä«³í) (04 : 36) |
|
|
18.Fugue,a 4, Soggetti - Unfinished(¹Ì¿Ï¼º 4¼º Ǫ°¡, Á¦3 ÁÖÁ¦ : B-A-C-H) (09 : 01) |
| - BWV1086 Canon
concordia discors a 2, in contrary motion / Ä«³í |
| Type
A |
|
Full
Version (00 : 28) |
| - BWV1087 14
Canons on the First Eight Notes of Goldberg Ground(Verschiedene
Canones [14]) / °ñµåº£¸£Å© º¯ÁÖ°î ½ÀÀÛ³ëÆ®ÀÇ Ã³À½ 8°³ Ä«³í¿¡ ÀÇÇÑ 14°³ÀÇ Ä«³í |
| Type
A |
|
Full
Version (03 : 54) |
| - BWV1094 O
Jesu, wie ist dein Gestalt |
| Type
A |
|
Full
Version (01 : 42) |
| - BWV1101 Durch
Adams Fall ist ganz verderbt |
| Type
A |
|
Full
Version (02 : 09) |
| - BWV1108 Als
Jesus Christus in der Nacht / ¹ãÀÇ ¿¹¼ö ±×¸®½ºµµ·Î¼ |
| Type
A |
|
Full
Version (01 : 34) |
|
|
